Our 44th printed issue of AAP Magazine will feature the best projects showcasing the theme "STREET".
Encyclopedia Britannica defines Street photography has "a genre that records everyday life in a public place."
Photographers have been documenting their environment since the invention of photography. The image "View of the Boulevard du Temple" by Louis-Jacques-Mandé Daguerre, shows a Parisian street in 1838. Later encouraged by improvements in the portability and quality of cameras many photographers decided to record urban life. Charles Nègre, Eugene Atget, Alfred Stieglitz, Andre Kertesz, Berenice Abbott, Henri Cartier Bresson, Brassaï, Walker Evans, Robert Frank, Diane Arbus, Vivian Maier, Garry Winogrand, Lee Friedlander, William Eggleston... are amongst the many iconic photographers who captured changes in the fast-paced world of life in towns and cities.
Capturing the essence of the urban lifestyle is now both a popular form of art and an important medium of communicating the heart and soul of a society and its people.
Send us a cohesive body of work or portfolio - capturing the weird and wonderful moments unfolding around you! The subject is completely up to you. Any capture method or process, whether digital or analog, including monochromatic toning, is welcome.
Winners will receive $1,000 in cash awards, their winning portfolio published in AAP Magazine#44, extensive press coverage and global recognition.
All winners will have their work published in the eighth printed issue of AAP Magazine, a free copy of the magazine and their portfolio showcased in the Winners Gallery of www.all-about-photo.com.
1st Place winner
Cash Prize: $500 (US Dollars).
Exclusive interview and winning image(s) or portfolio published in AAP Magazine, Volume 44: STREET
One free copy of AAP Magazine that will be for sale and distributed on Blurb.com
Winning work showcased on the online Winners Gallery of All About Photo
2nd Place Winner
Cash Prize: $300 (US Dollars).
Winning image(s) or portfolio in AAP Magazine, Volume 44: STREET
One free copy of AAP Magazine that will be for sale and distributed on Blurb.com
Winning work showcased on the online Winners Gallery of All About Photo
3rd Place Winner
Cash Prize: $200 (US Dollars).
Winning image(s) or portfolio published in AAP Magazine, Volume 44: STREET
One free copy of AAP Magazine that will be for sale and distributed on Blurb.com
Winning work showcased on the online Winners Gallery of All About Photo
Particular Merit Mention
The next seventeenth winners (ranked from 4 to 20) will have their best image(s) or portfolio published in AAP Magazine Vol.44.
More information about the street photo contest here
A blog dedicated to fine art photography all around the world.
It is the extension of the website www.all-about-photo.com
Saturday, October 12, 2024
Thursday, October 10, 2024
France: Yasuhiro Ishimoto - Lines and bodies
Yasuhiro Ishimoto. Chicago, Beach,1948-1952 © Kochi Prefecture, Ishimoto Yasuhiro Photo Center
from june 19 to november 17, 2024
From June 19 to November 17, 2024, LE BAL presents a remarkable figure in the history of Japanese photography, yet little known in France: Yasuhiro Ishimoto (1921-2012). For the first time in Europe, the exhibition, organized in close collaboration with the Ishimoto Yasuhiro Photo Center at the Museum of Art, Kochi, Japan, brings together 169 rare prints, most of which are vintage and made by Ishimoto himself. The exhibition focuses on the first decades of his work, between Chicago and Japan. A key figure of the 1950s and 1960s, he was considered "visually bilingual" for his ability to combine the formal approach of the New Bauhaus with the quintessence of Japanese aesthetics.
This unique alchemy is the result of an extraordinary journey. Trained at the Institute of Design from 1948 to 1952, Ishimoto embodies the first generation of photographers of the Chicago School, marked by the dual influence of Harry Callahan and Aaron Siskind. Upon his return to Japan in 1953, he became a major figure on the Japanese art scene. His photographs of the Katsura Imperial Villa in Kyoto created a body of work that sent shockwaves through the world of architecture and design, as evidenced by the words of art director Ikko Tanaka, who noted that Ishimoto was the first to introduce "an intellectual and austere modernism that greatly inspired us... His stone paths evoked Brancusi sculptures... He cast a radically new gaze on the world."
During the same period, Ishimoto paved the way for new approaches to the photo book with the publication of one of the most important works in the history of Japanese publishing, Someday, Somewhere (1958). This book, with its experimental graphic design for the time, had a significant influence on a young generation of photographers and designers.
Driven by a quest for constant reinvention, Ishimoto became a conduit of modernity in photography, blending Japanese culture with Western influence. Observing his scenes of Chicago or Tokyo, with their orderly and vibrant beauty, one understands why he became, in the words of Stefan Zweig, an "extraordinary intermediary between Eastern and Western people, a man of double dimension, capable on the one hand of contemplating with astonishment and respect the foreign aspect of this beauty, and on the other of representing it and making us understand it as something self-evident, as a beauty experienced from within and made his own."
– Diane Dufour, curator of the exhibition
Practical info
LE BAL
6 impasse de la Défense 75018 Paris
Open on Wednesday from 12pm to 8pm and Thursday to Sunday from 12pm to 7pm.
Closed on Monday and Tuesday.
More information here More exhibitions here Yasuhiro Ishimoto. Chicago, Town, circa 1960 © Kochi Prefecture, Ishimoto Yasuhiro Photo Center
from june 19 to november 17, 2024
From June 19 to November 17, 2024, LE BAL presents a remarkable figure in the history of Japanese photography, yet little known in France: Yasuhiro Ishimoto (1921-2012). For the first time in Europe, the exhibition, organized in close collaboration with the Ishimoto Yasuhiro Photo Center at the Museum of Art, Kochi, Japan, brings together 169 rare prints, most of which are vintage and made by Ishimoto himself. The exhibition focuses on the first decades of his work, between Chicago and Japan. A key figure of the 1950s and 1960s, he was considered "visually bilingual" for his ability to combine the formal approach of the New Bauhaus with the quintessence of Japanese aesthetics.
This unique alchemy is the result of an extraordinary journey. Trained at the Institute of Design from 1948 to 1952, Ishimoto embodies the first generation of photographers of the Chicago School, marked by the dual influence of Harry Callahan and Aaron Siskind. Upon his return to Japan in 1953, he became a major figure on the Japanese art scene. His photographs of the Katsura Imperial Villa in Kyoto created a body of work that sent shockwaves through the world of architecture and design, as evidenced by the words of art director Ikko Tanaka, who noted that Ishimoto was the first to introduce "an intellectual and austere modernism that greatly inspired us... His stone paths evoked Brancusi sculptures... He cast a radically new gaze on the world."
During the same period, Ishimoto paved the way for new approaches to the photo book with the publication of one of the most important works in the history of Japanese publishing, Someday, Somewhere (1958). This book, with its experimental graphic design for the time, had a significant influence on a young generation of photographers and designers.
Driven by a quest for constant reinvention, Ishimoto became a conduit of modernity in photography, blending Japanese culture with Western influence. Observing his scenes of Chicago or Tokyo, with their orderly and vibrant beauty, one understands why he became, in the words of Stefan Zweig, an "extraordinary intermediary between Eastern and Western people, a man of double dimension, capable on the one hand of contemplating with astonishment and respect the foreign aspect of this beauty, and on the other of representing it and making us understand it as something self-evident, as a beauty experienced from within and made his own."
– Diane Dufour, curator of the exhibition
Practical info
LE BAL
6 impasse de la Défense 75018 Paris
Open on Wednesday from 12pm to 8pm and Thursday to Sunday from 12pm to 7pm.
Closed on Monday and Tuesday.
More information here More exhibitions here Yasuhiro Ishimoto. Chicago, Town, circa 1960 © Kochi Prefecture, Ishimoto Yasuhiro Photo Center