All About Photo

 Chloe Sells - Takeshi Shikama - Laura Stevens - Terri Weifenbach   1 - 31 July, 2021   For its 2021 group summer show, the gallery is delighted to present selected recent works by three gallery artists in dialogue with the delicate, large format works of Japanese artist Takeshi Shikama. The project is simple: present new, rarely or unseen works by these gallery artists, that exhale the peaceful calm and warmth of summer. More information about the exhibition: HERE © Laura Stevens © Laura Stevens Galerie Miranda 21 rue du Château d’Eau . 75010 Paris T +33(0)1-40 38 36 53 enquiries@galeriemiranda.com www.galeriemiranda.com    Tue-Sat 12-7pm More exhibitions here: www.all-about-photo.com

The spring 2021 exhibition at Galerie Miranda brings together two historical and littleknown bodies of photography that capture urban underground culture in Paris and New York in the late seventies and early eighties.     At the time, Gary Green (b. 1956, USA) and Philippe Chancel (b. 1959, France) were both young photographers, in their first jobs and finding their footing as adults and as artists. Each of their series bears witness to the energy and spontaneity of youth - that of the artists, but also of the urban underground movements they were documenting. In 1982, Paris, Philippe Chancel photographed the city's rockabilly gangs composed largely of teenagers from immigrant families who sought the freedom and social integration represented by the music and clothes of postwar American pop culture, that they adapted in a kind of Parisian West Side Story. Paradoxically, at the same time on the other side of the Atlantic, New York was plunging into deep social, economic and urb...

 5 September - 31 October Vernissage Saturday 5 September 17h - 19h Galerie Miranda 21 rue du Château d'Eau, 75010, Paris More information "23 November, II," (2018) Archival pigment print, 30x45 cm, Edition of 10.  "In a quest for a personal vision of masculine beauty, Stevens photographs the bodies of men of different ages with a gaze that is observant, curious, open and sensual yet not sexualized. Stevens is interested in the lines and forms created by the men's poses, finding beauty and humanity in each unique body, irrespective of their proportions. Thus exposed, the men are simultaneously virile and vulnerable; muscled and gracile; confident and shy. With great simplicity and a soft photographic palette that recalls realist painting, Stevens captures their individuality with a contemporary feminist vision that is fundamentally egalitarian." "23 January, III," (2018) Archival pigment print, 90x60 cm, Edition of 8.     Laura Steve...