Zhou Wendou's creativity has undergone a transformation over the past two decades. He first began as a painter and then transitioned to photography with a focus on constructing camera oriented installations. After this, he focused on producing installation art, to which he still dedicates himself. Utilizing commonly found ready-made objects, his artwork is born out of conventional forms through a process of deconstruction and transformation. He constantly looks towards the boundaries of art and attempts to challenge the appearance and shape of objects. He deliberately removes certain properties of objects, but does not contribute his own subjective judgment or emotions in the process. On the contrary, he records his creations metaphysically and shows it in moderate and humorous ways.
The title of the exhibition, "Bu Qian," is extracted from a concept used by Chinese philosophers of ancient times. Partial translations are 'immutable' or 'immovable,' depending on which school of thought uses the term.It is the idea that sometime things will remain unshakable, immobile, even when the environment surrounding them changes. In this exhibition, common objects such as lamps and slingshots remain unaltered yet submitted to different forces that rip off their original use and turn them into artistic installations. Each artwork has an intrinsic tension yet remains motionless in the gallery. The hull of a boat floating in two buckets of water is the starting point of the exhibition, and leads the audience to a pile of skateboards and a massive whirl made out of metal hand grips. Everything in the show appears motionless, as if suspended in time, but also seems as if it is on the edge of giving way to movement. This is Zhou Wendou's interpretation of Bu Qian.
Duration: May 20th - June 24th, 2017
Opening: May 20th, 16:30 - 19:00
Media preview: May 20th, 16:00 - 16:30
Location: 328-D Caochangdi Chaoyang District, Beijing, China (de Sarthe Gallery)
More information: HERE
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