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Showing posts from July, 2020

Amsterdam: Vivian Maier - Works in Color

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Now at Foam 1 June - 13 September 2020 This spring Foam presents the colourful works of Vivian Maier in the new exhibition Works in Color. Mostly known for her black and white photography, Vivian Maier is an icon in American street photography. A genre mainly dominated by photographers such as Robert Frank, Joel Meyerowitz and Lee Friedlander. Maier’s observant eye as an unknown outsider and as a woman makes her work a significant addition to the canon of photography. This exhibition at Foam focuses on a lesser-known aspect of her work: over 60 colour photographs from the period between 1956 – 1986. Works in Color shows street scenes in Chicago, - the city where Maier lived for much of her life - featuring people, objects, billboards and shop windows. Her work in colour seems altogether playful and tongue in cheek. ABOUT VIVIAN MAIER Vivian Maier (New York, 1926 – 2009) spent her entire life taking photographs, alongside her work as an au-pair. Her photographic work was n...

Belgium: Karel Fonteyne - The Circle

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Exhibition/ To commemorate the 70th birthday of the artist photographer Karel Fonteyne and his 50 year career, Hangar presents a major retrospective of his work through a selection of 200 images. As a flagship figure in Belgian and international fashion photography, Karel Fonteyne’s career in that genre spanned more than 15 years. His rather experimental style gave rise to pioneering images that went beyond classical fashion photography. In 1996, he decided to give up fashion photography to develop a more personal work. Karel Fonteyne is non-conformist. He plays with codes, deconstructs reality and prefers the complex to the obvious. “Generally, I don’t photograph what I see but what my mind reflects”. The exhibition is neither linear nor chronological, but rather circular. The spectre of the present will not prevent the visitor from grasping Karel Fonteyne’s work because his images are ageless and out of time. Like a journey through the photographer’s mind, one jumps from photo to...